Voices through the Spectral are even with the plane of the speakers rather than two feet behind them. The depth seems less than the Levinson 380s but I think it is because the ear is distracted by the enourmous image width!Ĭompared to the Levinson 380s(as they sound very similar, all comments apply to the Bryston BP25 too) the DMC30's dynamic contrasts are much more interesting, with explosive macro-dynamics and very delicate micro-dynamics.Īs regards tonal color, the Levinson/Bryston had a slightly warmer, but recessed, mid-range. The image cast is from floor to ceiling, wall to wall. The sound stage is very wide with instruments clearly delineated beyond the lateral bounderies of the speakers. On the fourth day it (literaly!) snapped into focus and stayed there. During the (re)break-in it went from sounding great to sounding awful every half hour or so. As it had been on their consignment rack for a few months, it took a few days for the thing to break back in. ![]() I ordered this unit used from Goodwins (great guys to work with!). I put this review for the DMC30 as here as there is no other place to put it.
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